Meeting the Artisans of Fez, Morocco was one of the highlights of my time in Morocco. Much has been written about the Fez, Medina – I’ve even written some of it.  In a nutshell, the Fez Medina is a UNESCO world heritage site, the largest inhabited car-free urban area in the world, the best example of a living medieval Muslim city and a place where you can stay in some amazing hotels,  guest houses, dars and riads.

The Artisans of Fez, Morocco

I was fortunate in being able to take part in something that hasn’t been so extensively written about.  I joined my friend Jessica Stephens (aka ‘The Jess’) on a medina tour that was focused on not only observing but also interacting with, talking to and getting up close and personal with the artisans who do their work and make their home in the Fez medina.

The usual medina tour goes something like this (and it’s good, don’t get me wrong)

“Here is the medina, here is a potters shop, here is the Quarawine Mosque, here is an old funduq, here is an old medrassa, and here are the famous tanneries from five floors up, now we will go to my uncles rug shop…” 

Depending on how much you’ve paid your guide, you will get various levels of sales, various levels of information, and various levels of bullshit (How do you know when a guide is lying? Their lips are moving!)

This tour was different.  Jess and I met with her clients at a cafe in Bathha which sits on the edge of the Fez medina and is very tourist friendly. They were nice, interesting people from Seattle who have traveled all over the world and lived in Vietnam, India, Malaysia and probably a few other places.  One way to tell if a tour is interesting at a glance is to look at who is going on it.  This one was looking tops from the beginning.

Jess went over the details with a map and asked them about anything in particular they wanted to see.  He wanted to see  the tanning process up close and she wanted to just enjoy the architecture since she’s an architect.  I particularly liked Jess’s warnings at the beginning 1) This isn’t a shopping tour so they shouldn’t buy a bunch of things on the way – the guide could take them back later if they desired 2) Don’t walk into an artisanal and just start snapping photos, instead talk with people, let them explain what they do and then – after all of that – take some photos if they want 3) Don’t be afraid to ask questions and interact with people and 4) Watch out for the donkeys (okay, I added that last one myself)

Once the briefing was done we headed down to the not so tourist friendly (but still safe and cool) Bab Rcaif, where we met with the licensed Moroccan medina guide.  Here’s a side note – Jess pays her extra not to take visitors to any of the shops that most guides get commission from when tourists buy things. That’s not only cool for the guests, it’s also cool for the guide because Jess tries to compensate her for the commissions.  There’s a lot of talk about sustainability and fair trade these days, but this is the real deal in action.

Our first stop was to the dyeing street inside the medina. This is an entire derb (small street or alleyway) dedicated to the art of dyeing clothing and material.  We were able to stop and ask questions along the way from the dyers and they showed us the process of the vats, using wool and also aloe vera silk harvested from the mountains.

This old man was the shop steward in one of the dyeries…the map of lines on his face speaks of the travels of Ibn Battuta and more. Here’s something else nice, rather than the guide simply telling us everything – she allowed the artisans themselves to speak and then translated. This might seem like a small thing but it made a huge difference in terms of trust and authenticity.

From there we crossed over the river and went through the metal working and mirror shops.  All along the way, Jess was giving the artisans, the workers and the kids copies of the photos she had snapped on previous expeditions. It’s something that brought smiles of delight to the old and young and made all of us welcome guests along the way.

The metal working area opened up into the Attarine Square – one of the oldest squares in the medina and our lovely guide told us about the history of the migrations from Tunisia and from Andalucia and how they set up on different sides of the river and had a fierce rivalry which caused Fez to become the shining light of the times – home of the first university (The Quarayine University) and also I learned something I hadn’t known – there are 365 mosques in the Fez medina and that is why it is the spiritual capital of Morocco ( of course the guide’s lips were moving as she said it, so you might want to count).

We paused to explore a bit of the square and see the famous library though since it is still a place where students study, we weren’t allowed to go inside. Still, magnificent…

Down another narrow winding passageway and we came across a fellow who works exclusively with bone and horn. He showed us how he heats the bone and horn make it flexible and then he is able to cut around it and create beautiful shapes that can be carved and polished.

Now we were heading to the area where a recent scandal shook the medina. I hadn’t been in town for more than a few days and already I’d heard about it from three different sources. Here is the scandal and the very unfair way it turned out:

A fashion magazine of some sort came and booked a tour with their models of the famous Fessi tanneries.  When they got there, they apparently bribed someone to be allowed to go down in the thick of things despite the fact that they were using an illegal guide and technically aren’t supposed to go down there. Once down there, the models stood in the center and stripped nude! Now, this might not seem so scandalous but remember, this is a conservative Muslim country and these guys working there are among the conservative working class – it was shocking! As a result, the models and the photographers were escorted out but the manager of the tanneries and the guide were both jailed and charged 4000 dirham – which is a huge fine here.  Anyway, we had proper permission and we all kept our clothes on.

Even clothed, the tanneries were still amazingly interesting. I’d always wanted to get down into the pits and see the process and it was incredibly fascinating.  The process goes a bit like this – skins are brought, thrown into the limestone pits (filled with pigeon shit and lime) and soaked for a few days. After this they are thrown onto a huge electric wheel that scapes them along the floor and gets the hair loose. Next a man scrapes the hair from the hides. After that, they are thrown in another pit with more chemical agents. Following that they move to the dying vats (the brown ones) and then they go to be dried, scraped and softened, and finally made into your shoes or bag.

I probably don’t need to say this, but the smell is something you can simply not imagine. It is awful throughout. The guys in the pits looked at us suspiciously as we wandered through, probably wondering if we would take our clothes off or at least ‘Why the hell do they want to come down here?” We walked through the entire process and then blissfully, left the tanneries to head to the carpet weaving area. The weavers rooms didn’t smell bad at all, but then, after the tannery, nothing really could!

The weaver spoke excellent English and gave an demonstration of how to make material. We found out that for silk and cloth, it is generally men who do the weaving but for rugs, that is up to the women (like the women weavers I met in the collective in Rbat al Khair a few months ago).  The scarves and textiles were gorgeous and in a variety of colors but most striking was a deep cobalt blue. The dyes used to be all natural but these days (we had found out on the dyer street- most of them are chemical dyes).

After this we took a car from Rceif to the artisanal  school commissioned by the King of Morocco. In the school we met a master zelij (mosaic tile) craftsman, teaching four apprentices his craft with a massive piece.  We also had the chance to meet and talk with a Moroccan slipper maker and to see a number of the workshops where master artisans are teaching their craft to pupils.  Among the skills being passed on are the making of the oud and Moroccan fiddles, stone work, glass, tile, ceramics, wood working, and much more.

Finally, withe the tour of the artisans of the Fes Medina complete, we all sat down for lunch and took a good rest. This was an awesome tour – I hope that more tours like this that  1) respect the local people 2) interact with the culture 3) create an appreciation for the arts and handicrafts of places – continue to show up.

To book this tour for yourself, you can contact Jessica at her site  Artisanal Affairs to arrange it all for you. She also has a lot more information, some videos of the artisans and a whole lot more at http://www.culturevulturesfez.org